Bye-Bye, Miss American Pie........
The Universal Mother Goddess and Sol Invictus. America Sleepwalks Into its Final, Ritual Destiny. Can We Wake in Time?
The 2008 film Cloverfield is one of around ten films that has shown the Statue of Liberty destroyed in one way or another. This publicity image for the film is also displaying some very interesting 88 numerology in the official release date of 01/18/08. This is the kind of thing that has kept decoding geeks like myself in high cotton for years.
Longtime readers know I am always trying to see and translate the symbolism being intentionally and ritually conveyed in entertainment and mainstream media imagery. I have a habit of becoming interested, especially, in imagery that I feel like we are being bombarded with over and over. Imagery like this has almost become as iconic as the statue itself since the first time it was shown as a ruin in 1968’s Planet of the Apes.
This post is going to provide the very clear understanding most are now lacking regarding just how and why we are where we find ourselves now. It is a convoluted story that begins in ancient times and is set to soon conclude if nothing stops it. Let us begin that journey………..
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The first thing that has to be stated here is that the “Statue of Liberty” has always been a representation of the arcane belief that there exists a “Queen of the Universe” or “Universal Mother” Goddess. Evidence of the concept of this goddess is in fact pan-cultural and appears in the mythologies of countless cultures around the world.
One of the oldest versions of this Goddess, and an early template for later versions, was the eventually deified Queen Semiramus or Shammuramat of ninth century BC Assyria. She ruled Assyria for five years after the death of her husband Shamshi-Adad V. Over centuries an extraordinary legend became a Goddess. Semiramus and many other later Gods and Goddesses associated with both the Sun and Moon began to be depicted in a certain, very distinct way over the centuries.
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This image features a montage of this rayed crown imagery that eventually became so prevalent in the ancient world. The statue on the far left is a Roman rendering of the Goddess Hecate known as the “Hecate Chiaramont”. It is thought to be a copy of a Greek original and shows the usual, three faced depiction of this deity.
The image on the upper right also shows this triple aspect along with the usual torches always associated with this Goddess. They have actually been broken off the image on the left. Hecate was the Goddess of boundaries, transitions, crossroads, magic, necromancy, ghosts, and the new moon. She has today been fully embraced by modern Pagans as their Goddess of witchcraft, which is plain to see with a few web searches.
Other images here depict the Greek Sun God Apollo and the Persian Sun God Mithras.
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More depictions of Apollo and Mithras with the usual rayed crown imagery they were always associated with.
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Engraving of the original appearance of the legendary Colossus of Rhodes. This bronze statue of the Greek God Helios was erected in 280 BC to celebrate a military victory. In 226 BC, after standing less than 60 years, it was completely destroyed by a massive earthquake. The broken pieces remained on view at the site for 800 years until they were finally sold by Arab traders as scrap metal.
Helios was the original and lesser-known Sun God of ancient Greece and was later supplanted in popularity by Apollo who had originally been a God of light and music but not specifically the Sun. Over the centuries Apollo became the primary Sun God and in time, by the late Roman era, all of the Sun Gods of the old world were being recognized by the Romans as essentially one deity.
The late Romans knew this God as Sol Invictus: “God of the Unconquered Sun”.
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The early Catholic Church saw to it that this Sun Ray imagery, which had been so ubiquitous in paganism, transitioned smoothly into “Christian” iconography and symbolism. The Catholics call Mary the “Queen of Heaven”. What we are really looking at here is still the “Queen of the Universe”, which was said of so many pagan Goddesses, in very transparent “Mary” drag. Why was anyone ever fooled by this? And why are they still?
This image actually contains all anyone needs to know regarding the switcheroo subterfuge the Catholic Church has been up to for a millennium and a half. Here in this image, we see both the Universal Mother and her child, Sol Invictus resplendent in the rays of the Sun.
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I am still so often reminded of Patrick Jordan’s very telling catchphrase “Same Pig, Different Lipstick”. It is the title of one of his books. This perfectly describes the situation we have with this “Queen of the Universe” as she was passed down from culture to culture over the centuries in greater Mesopotamia, the Mediterranean and regions beyond. In later times, different aspects of her were separated out in the case of Greek and Roman Goddesses like Athena, Aphrodite, Diana, and many others.
This is the legacy of the vast majority of cultures in this region having descended from the Shemitic roots of ancient Sumer and especially the legacy of the later sea faring Shemites, the Phoenicians.
Links to two key, past posts having to do with this subject that readers will find very illuminating:
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The Real History of the Double Eagle Symbol Is Not a Big Surprise to Me.
This Double Eagle, of very contemporary origin, rides on the back of a continuous and evolving legacy many 1000’s of years in the making. Everything that was previously, intentionally shrouded or just alluded to in the past is being proudly trumpeted in this image. We see an All Seeing Eye inside the Star of Molech with the colors emphasizing the As Abo…
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The Phoenicians, Oprah, The God Harpocrates and the Lahaina, Phoenix Ritual
One of Oprah’s many episodes of signaling for the cameras that she is a member in good standing of what Hugo Talks has dubbed the “Peek-a-boo Club”. Works for me. Here she gives double 666 signs in a late 80’s photo. One wouldn’t want to be ambiguous…….
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This mother and child iconography attached to the concept of a Queen of the Universe or Universal Mother, of course, long supersedes Christianity.
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This late Egyptian bronze of Isis and Harpocrates/Harpa-kruti or “Horus the Child” is typical of countless such iconography from pre-Christian antiquity. Isis and Harpocrates actually became popular Gods across the pond in both Greece and Rome during this period.
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This Roman depiction of Isis and Harpocrates is located at the Vatican Museum and could almost pass for another image of Mary and the baby Jesus if you didn’t know better.
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This Greek Frieze depicts Isis, Harpocrates and Father God Serapis. The closely associated Dionysus stands in the background. The Ptolemy family of Egypt had created Harpocrates and Serapis as versions of Horus and Osiris that their Crypto-Phoenician cousins across the pond might find palatable. This marked a largely successful bid to spiritually reunite with their elite relations in Greece and Rome.
Such imagery was by no means confined to just iconography regarding Isis specifically. Above is a 4th century BC, Greek depiction of the Goddess Eirene and child, Ploutos. Eirene was the “Goddess of Peace” face of what was in reality a Universal Goddess passed down from antiquity. Yet another shade of lipstick……
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Another unspecified Roman Goddess and child in the Vatican Museum……..
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These kinds of depictions had become so popular in Rome by the first century AD that when the third Emperor Caligula was assassinated in 41 AD and Tiberius Claudius took his place, his wife Valeria Messaline was immortalized in this truly exquisite portrait statue that was done in what had become one of the most favored styles of the day.
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The following is a short list of versions of the “Queen of the Universe” that were worshiped around greater Mesopotamia and the Mediterranean during ancient times:
Ishtar………………………………….. Eirene
Inanna………………………………… Athena
Isis……………………………………… Minerva
Asherah……………………………… Aphrodite
Ashtoreth…………………………... Venus
Astarte……………………………….. Artemis
Attart…………………………………. Selene
Maut………………………………….. Diana
Semiramus…………………………. Fortuna
Beltis………………………………….. Gaea
Juno…………………………………… Vesta
Hera…………………………………… Cybele
Hestia………………………………… Hecate
Demeter
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The first ten names on this list are the older versions of this Goddess that were worshipped by proto-Shemitic peoples starting in Sumer and later found passed down to the Asyrian, Babylonian and Egyptian civilizations as well as the Canaanites. Phoenicians and many others.
The names further down the list are of versions or aspects of this Universal Mother/Queen that became adopted in Crypto-Phoenician Greece and later, Rome.
Worship of the “Queen of Heaven” figured heavily in the writings of the lonely prophet Jeremiah as he wrote about the transgressions against God committed by the people of Israel in the years leading up to the prophesied Babylonian exile. No one knows which of these names they called her but that hardly matters. This was an unbroken chain that had begun with the original, Sumerian, Anunnaki Goddess Innana around 3000 BC.
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Archeological examples of the association of the six-pointed star with the worship of both this Goddess and Molech/Baal abound in the lands of Mesopotamia. This carving at the Baalbek archeological site NE of Beirut is but one of many found examples. It is alternately known as either the Star of Molech or The Star of Ishtar.
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Less than 100 miles to the south of Baalbek this six-pointed star was unearthed in a dig in Jerusalem. Judaism itself never used or was ever associated with this star until the Rothschilds picked it back in the 18th century to represent the Jewish people. What you are looking at is a relic of the period when Israel adopted both other Gods and a particular Goddess of Shemitic antiquity.
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There is even actually evidence that the concept of this “Universal Mother” or “Queen of Heaven” was long ago passed on to civilizations as far afield as India, China and possibly even the Americas through Phoenician travel and trade.
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Some of the most popular worship and imagery in the Hindu religion revolves around the ancient legend of the Baby Krishna and his mother Devaki. I showed in the older post linked above that the Double Eagle symbolism that was once exclusive to ancient Sumer was eventually absorbed heavily, over time, into the religious art of the Indian sub-continent. This is just as it was into the elite heraldry of modern Europe. I believe the above iconography was no different.
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Arguably the most popular Goddess of ancient China, portrayed in porcelain above, was known as Shing Moo. Reference to her first appeared in Chinese art and literature around the 15th century BC and she was known alternately as “Queen of Heaven”, “Queen Mother of the West” and “Western Mother”. She was very often depicted with a child and curiously became associated with peaches.
It has been theorized that Shing Moo made the jump from Mesopotamia to China via trade with Egypt. The name Shing Moo sounds very tellingly similar to the original Egyptian Mother Goddess, Mut/Maut and Mu referenced on the list above. Add in the actual reference to her hailing from the west and it all seems fairly obvious.
It is also entirely possible that the Norse Mother Goddess, Jord is another extension of this tradition.
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Wherever either the actual or spiritual descendants of the original Shemites of Sumer have moved to or landed some version or versions of the Queen of the Universe have always come with them. Even the Hebrews, with their supposed adherence to one God, could not escape this in the end.
When the elite families of Rome, who were in reality Phoenician, conquered what is now Great Britain, it became known as Britania. It wasn’t long until Britania itself began to be personified as an actual Goddess both in Rome and Britania itself.
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This Victorian era memorial statue is typical of the imagery and symbolism epitomizing the iconography of Britania. All of this in hindsight appears almost more of a marketing strategy for Rome’s colonizing endeavors in the British Isles than anything else. What better sales pitch than having a new, Taylor made Goddess appear to bless and protect your activities. It begs the question: Just how many of the so called “deities” of antiquity were conceived by the ruling elite in this manor?
According to Wicked-pedos:
“The first Britania coins were struck in around 100 AD. She came to be personified as a Goddess, armed with a trident and shield and wearing a Corinthian helmet.”
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This was a Goddess that had been fashioned the actual spiritual personification and guardian of a newly colonized place. When Europeans began to arrive in the New World in the 15th century, they brought this spiritual “branding” concept and tradition with them even though it was claimed that all of the new colonizers were “Christian”.
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This contemporary bronze sculpture rests in San Antonio, Texas and depicts the Guadalupana or “Virgin of the Guadalupe”. Legend has it that two Mexican peasants had a series of visions in 1531 where an alleged Marian Apparition appeared and referred to herself alternately as “Mary, Mother of God”, “Empress of the Americas” and “Patroness of Latin America”.
The bronze depicts what has become the classic representation of this vision with the Guadalupana completely surrounded by Sun-like rays and wearing a starry cloak. Sometimes there is the addition of cactus plants and roses which commemorate the tale that during one of these appearances she actually transmuted prickly pear cactus into roses.
It is thought by some that this likely confabulation was a way for the Catholic Church to recast the Aztec Goddess Tonantzin in a way that both the Church and the native populations could find agreeable and palatable. The Catholics had, of course, been at this game a very long time by then and would continue in it up until this day. Even Tonantzin herself bore some striking similarities to mother deities of the old world. Perhaps the legacy of some long ago, forgotten connection with Phoenician traders?
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This now brings us full circle and back to where this article began. The well-worn subterfuge accomplished with Britania, the Guadalupana and no doubt countless other so-called Gods, Goddesses and God-like entities was dusted off and used one last time by the people who founded this nation. There was one last shade of lipstick in the makeup bag.
By that time the era of openly practiced paganism was long ago in the rear-view mirror. It had been consigned, over the last millennium, to instead fester and metastasize in the darkened meeting spaces of the elite as they plotted and schemed the final acts of an age-old script they believed would culminate in the total domination and control over not only humanity but all of God’s creation. This had always been the dreamed about, final destination of these predator families going back thousands of years.
This dream had been carried forward in secret for centuries in institutions like the Kabbalist Chabad and Bin Berith. It had also been carried forward in the Crypto-Phoenician institutions like Free Masonry, The Knights of Malta and Columbus and, of course, the Catholic Church itself.
Later on, into the late 19th century, as Paganism, Mysticism and out right Luciferianism began to be not only tolerated but actually celebrated by growing segments of the public, those practitioners came out of the dark in the form of Theosophy, Thelema and other occult belief systems. This was a new era where even openly practicing Satanists like Aleister Crowley were free to publicly advocate for those agendas.
I have shown repeatedly in previous writings on this blog the direct link between the above philosophies and related institutions like the Lucis Trust and the actual founding of the United Nations.
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A typical screen capture off the Lucis Trust website. The Lucis Trust, founded by theosophist Alice Bailey in the 1920’s, became the “spiritual foundation” of the United Nations upon its founding in the 1940’s. It is to this day listed as an official UN sub-organization. Bailey had earlier released a series of esoteric books under the name “Lucifer Publishing”.
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The US founders knew the ritual work of the Universal Goddess would not be complete until the days were finally fulfilled for her to give birth to a new era in the personification of Sol Invictus. They knew this was always the true purpose for the founding of this nation. Just as in the case of Britania and the British Empire, the fates of this nation and it’s personified “Goddess” were to be made ritually inseparable.
What I am saying is that whatever eventual, ritual fate has been decreed for this Goddess, it has been rendered inseparable from the nation being personified. THEY have been showing us this for a very long time and in a variety of ways which I will document later in this write up.
The elite have had the timetable for this ritual birthing worked out for centuries and it has to do with the approximately 26,000-year procession of the equinoxes through all 12 signs of the zodiac. They have been playing the ultimate long game.
The Piscean Age is currently in its final death throws as Earth’s wobble is now aligning us with the sign of Aquarius. “This is the dawning of the Age of Aquarius”, and the elite have always believed this will be the New Age of Paganism, Lucifer and his actual personification in Sol Invictus. This is why the song Aquarius ends in the repeated mantra “Let the sunshine, let the sunshine in, the sunshine in”.
As such the world is now quite apparently and appropriately being ritually subjected to as much lying, senseless death and unbridled evil of every kind as possible. And THEY are only getting started.
It is no coincidence that one of the oldest symbols of Christianity was the fish symbol which was said to commemorate the third appearance by the resurrected Christ to his disciples and the miracle of the 153 fish in John 21. But is there more to it?
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In the above two diagrams we see how the fish symbol was clearly derived from the mathematical ratios of the Vesica Pisces and its eternal and unchanging connection to the number 153.
The Vesica Pisces is both a mathematical diagram and actual anthropomorphic, Pagan fertility symbol long predating Christianity. The geometry was thought to represent the external parts of the female reproductive system.
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In John 21 a group of disciples including Peter, Thomas and others have gone night fishing at the Sea of Tiberias but caught nothing.
John 21:4-6
4 But when the morning was now come, Jesus stood on the shore: but the disciples knew not that it was Jesus.
5 Then Jesus saith onto them, Children, have ye any meat? They answered him, No.
6 And he said unto them, cast the net on the right side of the ship, and ye shall find. They cast therefore, and now they were not able to draw it for the multitude of fishes.
The disciples then quickly recognize this is again the resurrected Jesus making an appearance.
John 21:8-11
8 And the other disciples came in a little ship; (for they were not far from land, but as it were two hundred cubits,) dragging the net with fishes.
9 As soon then as they are come to land, they saw a fire of coals there. and fish laid thereon and bread.
10 Jesus saith onto them, Bring of the fish which ye have now caught.
11 Simon and Peter went up, and drew the net to land full of great fishes, an hundred and fifty and three: and for all there were so many, yet was not the net broken.
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The Pagan form of this symbology has represented the fertility of the Universal Mother, the actual sex act where Sol Invictus is conceived and the final, ritual labor for millennia. This is why we ended up with these arcane arrangements placed on the Mall in Washington DC over the course of decades in the late 18th and early 19th century:
The “Washington Monument” was actually designed to depict the erect phallus of Osiris or really any of the Father Gods of antiquity. Really, take your choice; it hardly matters which one.
It was placed within the Vesica Pisces so as to ritually represent the actual sex act with the Universal Mother that results in the gestation and birth of both the personification of Sol Invictus and the system he is to embody.
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Creepy Phoenician, John Podesta and THOSE hands are truly a blast from the past in this photo that went viral in late 2016 during the carefully planned and orchestrated Pizzagate brouhaha leading up to election day on 11/8. If there are readers who never really understood the meaning of this photo, I am about to explain it.
If a spirit was being “cooked” or prepared by these people, it was the spirit of Horus/Sol Invictus or what is more commonly known as Anti-Christ. This entire set up is symbolizing a story from Egyptian mythology. On Podesta’s left hand is a representation of the Vesica Pisces in the form of an actual fish and representing the Goddess Isis. On the right hand we have Osiris and his 14th “part”.
In the myth Osiris is killed and eventually hacked into pieces by archrival Seth. Isis discovers his body washed down the Nile in a coffin and revives him long enough to conceive the Sun God Horus. When Seth finds out he hacks Osiris’s body into exactly 14 pieces and scatters them up and down the Nile.
Isis then begins a quest to find all the parts for burial but only finds 13. The 14th part, Osiris’s phallus, is never found. Osiris never lives again but becomes Lord of the Underworld. What we see in this photo of Podesta is the belief that self-injury is a form of sacrifice that will help bring the spirit they are “cooking” into actual manifestation on Earth.
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The entire Mall in Washington DC was in fact built over decades to commemorate the different elements of this story and serve both as a ritual representation of the actual sexual intercourse that will produce the embodyment of Horus and as the ritual place for the more than 200-year gestation period. The ritual Womb of Isis looms in the background behind the Phallus of Osiris. The Nile glimmers in the foreground.
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For those thinking I just couldn’t be right about the “District of Columbia” being what I say it is, here is the nearly identical arrangement at the Vatican. The dome of Saint Peter’s Basilica serves as the Womb of Isis in this case. The Catholic Church even brought in a real Egyptian obelisk to serve as Osiris’s severed member!
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There is a reason hundreds of these lampposts began to be erected in Westminster in the vicinity of Buckingham Palace shortly after the coronation of Queen Elizabeth back in the 50’s. The official story is that these interlocking C’s stand for City Council……….. Uh, right……..
The image on the opposing sides is a stylized W done in a series of curly-Q loops that appear to form 3 sixes………
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Hmm………….
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This book was published in 2015 by a pair of History Channel/Ancient Aliens shills. It is actually full of good information if you have a good understanding of what they have intentionally omitted and can spot the attempts to also intentionally mislead readers. It hits many fascinating details in the architecture and layout of DC but presents all of this as benign and the creators of it as America’s secret benefactors.
Anyone who has read this piece first is unlikely to be misled by either what they say or also what they have intentionally left out. I will be hitting some fascinating points from this book in a bit.
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The association of the United States with its newly personified Goddess had to be done slowly and stealthily by necessity. A name was chosen that had already been in use since the 1500’s to designate the newly colonized lands of the Americas. The name Columbia had, of course, been derived from the name of Christopher Columbus. When surreptitiously creating a new Goddess personification for a largely Christian population it’s best to go with what they know!
When the founders designated the newly created Capitol city as the District of Columbia it would not have been seen by the public as having to do with any Goddess but as an extension of the past meaning of the word. The same with the Columbia River. The Goddess connotations were then left to creep in very slowly over many decades. This was by design.
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The idea of the Americas having a female, Goddess-like personification was well established by the mid 1700’s, as attested to by this porcelain from 1760 actually called the Personification of the Americas. It was part of a 4 piece set which depicted 3 other continents as well.
At this time all such depictions I have found appear to have consisted of highly romanticized Native American women. This shifted with public tastes over time and the growing actual hatred for Native Americans by the same colonists who were engaged in stealing their lands and livelihood.
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In 1863, at the height of the Civil War, this sculpture by Thomas Crawford generically titled the Statue of Freedom (as opposed to the later Statue of Liberty), was first somehow hoisted in place atop the Capitol Dome. We owe this good look at it to renovations that were occurring on the dome several years ago that required it be brought down during construction.
This statue retains some of the Native American elements but beginning to be combined with patriotic and European, war-like elements. For all the world this appears to be an Athena for the Americas. Note this imagery is still not being openly associated with the name Columbia at this time.
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Vatican artist Constantino Brumidi had been hired during the Civil War to execute a large number of paintings and frescos inside the Capitol building complex. In 1865 the above fresco on the ceiling of the dome was completed and was entitled The Apotheosis of George Washington. All you really have to look at is this one painting to fully understand both the spiritual compass and actual family heritage of the elite, Phoenician-Americans who commissioned it.
In this painting George Washington, clothed in Phoenician purple, is being transformed into an actual God. The inner circle of the ceiling features Washington seated on a cloud with what is claimed to be the personification of Liberty on his left and Victoria, the Roman Goddess of Victory on his right. Above and around him are 13 maidens said to represent the original colonies.
In a wheel around the outer edge are six different vignettes featuring a different Pagan God and matching aspect of American civilization. We are told Freedom/Columbia is on the bottom just below Washington and represents War. At the time this was painted this image would only have been called the personification or possibly Goddess of Freedom.
The other six Pagan vignettes are clockwise from Freedom, Minerva/Science, Neptune/Marine, Mercury/Commerce, Vulcan/Engineering, and Ceres/Agriculture. Note that these are all Roman Gods with the exception of Freedom. The God of Christianity is nowhere to be found either on this ceiling or anywhere else in the Capitol building.
The important takeaway here is that whatever they were calling her at the time, the Freedom personification with sword and shield had been elevated to the same status as the classical, Roman Gods in the painting. Columbia had arrived.
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This is a Civil War era Lithograph by Currier and Ives which used a Freedom Personification-like image to illustrate the Star Spangled Banner. Around this time printed images like this began to proliferate. All of the Native American romanticism that had previously been seen in such images had pretty much faded away by this time. This was the beginning of the trend of often actually draping the Goddess in the flag.
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This 1872, naive, folk style painting by artist John Gast was called American Progress. It features what could only really be called a Goddess stringing telegraph wire as settlers advance, buffalo run, and the Indians out in front presumably know their days of living as a free people on this land are numbered.
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By the late 19th century Americans had fully embraced their Goddess and knew her by the name Columbia. Here we see the flag draping imagery that largely defined Columbia for decades even after the Statue of Liberty was installed in 1886.
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A WWI era army recruiting poster. The Universal Goddess, in the guise of Columbia, had achieved iconic status in America by this time. Such imagery had always been a powerful symbol and tool used by the elite going back millennia.
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This 1886 photo shows the newly completed Statue of Liberty in the process of being crated up in France for delivery to its final destination. It was thought Americans were now ready to accept the grown up, very old, original version of the personification they had already been paying tribute to for more than a century. Along with this, of course, was coming all of the past ritual baggage associated with other versions of this Goddess.
No bronze statue of this size had even been attempted since the Colossus of Rhodes more than 2000 years earlier. Being boxed up along with this “gift” were all the darkest hopes and dreams of the ancient Universal Mother/Sol Invictus cult. The Statue of Liberty was to act as the massive, ritually needed talisman through which the Goddess and her elite worshipers would focus their final push toward completion. In this way this statue became an actual spiritual Trojan horse.
From my research, the way THEY believed this worked was that the statue became like a spiritual solar panel. As it became increasingly iconic in the minds of Americans, especially in its actual association with the lands and peoples of the US, those thoughts and emotional energies were then captured and turned in the direction desired by its makers.
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This was the version of the Columbia Pictures logo being used during the late silent era of the 1920’s. Here we see the flag draped, patriotic imagery of the previous century being combined with the millennia old imagery rehashed in the Statue of Liberty. In this image the iconic light rays of this embodiment of the Goddess are being emitted from the torch rather than as a crown-like halo.
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A very pregnant Beyonce ritually embodies the Universal Mother Goddess in her 2017 appearance at the Grammies. This performance was accomplished on 2/12/2017 and was exactly 6 years, 11 months, 30 days (one day short of 7 years) from a date I believe to be a very possible coming ritual threshold. 2/11/2024.
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I said toward the beginning of this piece that we have been shown on multiple occasions how all of this actually ends and that is true. These instances have been intentionally placed in front of us, but most do not have the eyes to see them for what they are. This is always what THEY do.
We have been shown that when the Goddess completes her task of bringing forth Sol Invictus her time is up. This concept might even be stretched into the idea that the entire Piscean Age with its Vesica Pisces, female reproductive symbolism, is much like this Goddess. Its time is also short and when its cosmic task of giving birth to a New Age is in the rear-view mirror its cycle is finished as well. Not to return for 24,000 years.
I can well imagine this is the true mindset of the people who have been plotting all of this for millennia.
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On 8/31/1997 the life of Princess Diana was allegedly ended under this overpass in Paris. In case you missed it you can find her name on the short list of goddesses further up the page. This is no coincidence.
Diana was the Roman equivalent of the Greek Goddess Artemis. In both of these cultures this goddess was the main deity of fertility, the countryside, hunters and the moon. She is thought by many researchers to be the closest equivalent in these late Mediterranean cultures to the much older idea of a Universal Mother.
Many of my older subs know well that it has long been my belief that it was Princess Diana who gave birth, back in the 80’s, to the person who will eventually become the living embodiment of Sol Invictus. This post is already long so I will not be heading into any of that here other than to say this is very likely the reason for the Westminster lampposts I showed above.
In a recent poll almost 50% of the British public acknowledged their belief that Prince Charles and/or others connected to the family very likely had a hand in whatever occurred under that overpass back in 97’. A stunningly large segment of the British population believe their King is a murderer.
I showed recently in another post that the timing between 8/31/1997 and 2/11/2024 is 9660 calendar days.
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On the morning of 2/1/2003 word was spreading quickly that the Space Shuttle Columbia appeared to be breaking up on entry over the Western US and the trajectory was sending it directly over Central Texas. I was one of many thousands of people who went outside to witness this scene play out in the skies just north of where I live.
This was the 113th shuttle mission and the…….88th since the alleged, deadly Challenger disaster in 1986. It has been absolutely proven to my satisfaction that none of the astronauts that were alleged to have been killed in the 1986 event were even on board the craft when it exploded. They have all been found still alive with even some of them living under the same names. The event was staged and the deaths were a hoax.
This fact, of course, tends to make me quite skeptical about Columbia as well. I now know that whatever occurred up there that day it was done during the pagan new year festival known as Imbolc. This is the time of rebirth and renewal on the pagan ritual calendar and indeed one the most important pagan festivals of the year. It is said by Wiccans to be “when the great Sun God returns”. Hmmm……………..
The words Imbolc and umbilical actually share the same root in the ancient Gaelic of Ireland. The linguistic connections regarding pregnancy are in the name. This is but the first of at least 2 more examples of Imbolc and Columbia having crossed paths in large, staged, disaster news events over the years.
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On 2/4/2018, during Imbolc, Silver Star passenger train number 91 was traveling from NYC to Miami and crashed into a stationary train parked on the “Columbia Subdivision” owned by CSX railroad just south of Columbia SC. The passenger train was being pulled by locomotive 47 which can be seen above. 116 people of the 147 on board were said to have been injured.
This was an event that I and several others on YT in 2018 made videos about. The blatant numerology and symbolism used in this event were actually shocking to me which had become hard to do by that time. The train had crashed in the middle of the night and one of the very symbolic quotes being played over and over in the media was a guy saying, “everyone was asleep, and we didn’t know what hit us”. Message received.
By this time, I was fully aware that train crash rituals in particular were a “thing” because the phrase TRAIN CRASH = 666 in English/Sumerian gematria.
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I doubt this is imagery that needs much introduction. The train derailment event at East Palestine in COLUMBIANA County, Ohio is likely burned into the brains of every reader here. The train came off the tracks on 2/3, as Imbolc festivities were getting under way, and the fire was lit on 2/6, the very date of Imbolc in 2023.
What we had in 2023 were two massive, fire themed news events that took place on first the Pagan New Year in Columbiana County and then the Egyptian New Year in Lahaina. What will the Chinese New Year and the Hebrew Month of Adar bring?
The act of ritual burning in this way illustrates the Kabbalist principal known as "Creative Destruction”. It is believed this is one of the best ways of harvesting emotional energy towards the creation of a new Thought Form or Egregore. You have to burn for the Phoenix to rise.
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Earlier in this article I introduced readers to the 2015 book “America Nation of the Goddess, The Venus Families and the Founding of the United States.” This book loudly trumpets many of the things I have been saying for years but attempts to spin that information into something very positive and frankly almost gushes over the same subjects I find abhorrent.
They fully admit right up front that not only has all of this been a conspiracy based on the arcane belief systems of certain family groups going back millennia but that Free Masonry along with other “societies with secrets” (their spin) have been the foot soldiers that accomplished these people’s goals over the centuries.
The fact that all of this was accomplished in utter secrecy in what we have always been told is supposed to be a free country with a government that serves the people troubles the authors not in the least. This was all done to make the country freer and more prosperous for everyone you see………
I actually strongly recommend that my readers acquire this book and read it. I know none of you will be fooled by the manipulative spin put on this material and it truly is a window into what was really on the minds of the founders. It isn’t what you’ve been taught in school.
A few fun facts from this book:
-The “Venus Families” founded the Grange Organization and had Christian, American farmers and their families, nationwide, performing Masonic-like rituals that honored the Goddess but lied to the members regarding what the rituals actually were. This was a good thing you see………
-The District of Columbia was intentionally sandwiched between Virginia and Maryland because those states had already been secretly named in honor of the Goddess.
-Much of the layout of DC was secretly computed in Megalithic Yards. This is the ancient measurement system that has been traced back to Sumer but has also turned up in ancient sites in the British Isles. The “Venus Families” had long preserved the secrets of this system with the intent of someday using it in a new land dedicated to the Goddess.
-The Megalithic Yard is 2.722 feet and was originally calculated by a very complex maneuver using a pendulum, logs and the movements of Venus at a certain time of year. This assured it could reliably be recreated over the centuries without any measuring devices needed.
-The center of the large egg-shaped area behind the White House known as the Ellipse appears to have been the focal point from which all the rest of the “sacred geometry” of DC was laid out. Symmetrical lines and angles can be drawn in all directions from here that connect landmarks and intersections to this area by exactly 366 Megalithic Yards.
- The Megalithic Yard continued to be used by the Venus Families well into the 20th century because the Pentagon sits inside a circle that is exactly 5 x 366 MY’s across! There is much more of this if you read the book.
-The authors give tantalizing evidence that a secret chamber was built beneath the center of the egg-like Ellipse and completely concealed.
-There are astronomical alignments that place the shadow of the tip of the Washington Monument (phallus of Osiris) exactly on the bottom center of the doors of the Capitol (womb of Isis) on September 17th at 6:45 pm. This day is “Constitution Day” and just happens to coincide with the old pagan festival of the fertility Goddess Demeter in ancient Greece.
-Finally, there exists another Washington Monument shadow alignment that places the tip of Osiris’s member touching the center boundary of the Ellipse/egg on the Winter Solstice. The traditional time of Sol Invictus. I trust none of this symbolism is lost on readers of this Stack.
Now hopefully readers fully understand what was really on the minds of the leaders running the country back then. Nothing has changed unfortunately.
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This unearthed, ancient fresco depicts the sacrifice of birds to the Goddess Isis in ancient Rome. The deities of this time all required a blood sacrifice of one kind or another and evidence would suggest little has changed about these cults but ever-increasing insanity and viciousness.
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After writing this long post there isn’t much left for me to say accept it should be obvious that I, you and everyone you know ARE the sacrifice now. The whole country, having long ago been ritually bound to this deity, is now queuing up to the sacrificial altar but mostly totally unaware. The whole world has become increasingly this way. No need to talk about what has gone on the last four years or before is there?
It even now appears THEY want to kill everything to me. That now appears to be the most likely result of the insanity of spraying very toxic metals and other chemicals into the sky for the last 25 years. In their minds does everything real have to go for this upside down, synthetic reality being planned to come to fruition?
This is a death cult whose evil and pure insanity are almost beyond reckoning and things are going to get much worse going forward. I wish I thought people would somehow wake out of their sleep but how likely is that now?
We are all in God’s hands now. May he show us mercy.
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The last thing I want to do here is call readers attention to the song that became the inspiration for all of this. Below I am placing a link to Don McLean’s official lyric video to his 1971 hit American Pie. There is more to this song than people have ever realized. Not much different in that respect to the arcane, historical goings on in DC no one ever noticed until recently either. All entertainment has been filled with the “Revelation of the Method” for decades.
I would like all of you to REALLY pay attention to the lyrics, especially at the 4-minute mark going forward when the song takes a very apocalyptic turn. Are there secret meanings and messages contained in this iconic 8 minute song? I believe there are. I would like readers who want to participate to tell all of us what they think in comments. I am likely going to follow this up with another post featuring your comments and more of my opinion.
I and Jeannette have picked the entire thing to pieces already, but I am now more interested in what others pick up on. I am only going to give one clue to the direction this went for me. The word Levee is another name for a type of dam………….
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Link to Don McLean's lyric video to American Pie.
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As always, much thanks to all you lovely, highly engaged subs who make all of this worthwhile for me! If you Restack you now have to do it with a Note calling attention to the fact that the thumbnail is now being black out because of the unfortunate censorship now occurring on this platform.
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Very impressive and disturbing ET!! I first read Ralph Epperson's work almost 15 years ago and it keeps getting confirmed every direction one looks. If you haven't already covered it, are you aware of the deleted verse in the "Bye Bye" song that didn't make it to radio? Thanks again
hey you, just tried to restack this & got another “explicit” post warning ⚠️😻… they must be speed readers those SS demons 😹